FOUR POINTS: July marks halftime for your annual magic plans. How’s your game going?

July 3rd, 2015 | Joe Hadsall | Filed Under Four Points


Here we are, in the first days of July. Things are different, depending on where you are in the world. If you’re in the U.S., you’re starting a three-day vacay for Independence Day. If you’re in France, you’re wondering why it’s so hot. If you’re in Australia, you’re preparing for more chills. If you’re into astronomy, you’re finding the thrill of the recent Jupiter-Venus conjunction makes the upcoming aphelion more dull than usual.

No matter who or where we are, the year is half done, and that reminds us another J-month, where we made plans and set goals for the upcoming year. Remember in January, back when you put together some resolutions, or set your sights on some targets for your magic? <a href=”http://www.ellusionist.com/bleed-by-perseus.html” target=”_blank”>Pros such as Bleed creator Perseus Arkomanis</a> (pictured above) rely on these plans to keep making progress year after year. So how are yours coming?

It’s halftime for 2015. Are you winning?

Just like a football game, this is the split for our annual year-long game. All of us play it, but the people who follow their plans play it better. And there’s no better time than halftime to look at how the game is going, and what adjustments you can make to finish with a win. Here’s our four-point checklist to analyze where you’re at:  Read more

NEED TO READ: ‘Magician and the Cardsharp’ shows Vernon’s dedication to sleight of hand

June 29th, 2015 | Joe Hadsall | Filed Under General

There’s a reason Dai Vernon is regarded as “The Professor,” and is one of the most esteemed, legendary names in magic. Actually, there’s a myriad of reasons, from his attention to detail and dogged determination, to his willingness to share what he’d learned with deserving students.

“The Magician and the Cardsharp,” by Karl Johnson, shows another reason: His dedication to pursuing sleight of hand. As the title suggests, the book covers two people: Vernon and Allen Kennedy, a shifty gambler who dealt his trade at card tables in Pleasant Hill, Missouri.

We’ve written before about the lengths Daniel Madison went to learn the moves and skills needed to cheat against actual players. That pursuit led to Mechanic and fueled the devotion to deception behind Moves. Vernon’s path to learn many of those same moves, and apply them to magical presentations, is similar, and well documented in Johnson’s book — making it a perfect summer read.

Vernon’s hunt for Kennedy began in the ’30s, after the Great Depression had quelled America’s appetite for magic. Long known as a persistent, focused artist, he approached magic from an engineering standpoint. He was one of the first to expand the gambling lessons of S.W. Erdnase’s “Expert at the Card Table” — while other magicians relied on trick cards, gimmicks and gaffs, Vernon saw how sleight of hand could help him accomplish the same kinds of miracles, only with a more natural flow and feel. The moves of the gambler fueled him, and gave him the skill to fool Houdini.

He had to learn firsthand, however.

In order to learn more than what Erdnase could teach, Vernon sought out gambling rooms and pass himself off as a mechanic so that he could win the trust of crooked dealers and learn their techniques. Johnson does a brilliant job of telling how Vernon risked his life in order to steal the secrets of the crooked and use them for magical purposes. Bottom deals, second deals, stacks, deck replacements; he learned them all.

So when Vernon heard about Kennedy, who had allegedly mastered a deal from the center of the deck — a move that appears nowhere in Erdnase’s book — he had to hunt the secret down. Instantly understanding the value of such a move, he started a hunt to track down the creator.

And speaking of Kennedy: Johnson also details his life, and how the dealer drifted through gambling halls, learning a lot, practicing his trade and learning crucial lessons about timing. One of the most powerful lessons he learned was that there was no need to fully stack a deck, because all it took to swing a hand was one single card. That lesson stuck with Vernon, who repeated it often to anyone who would listen.

There are plenty of fantastic passages in “The Magician and the Cardsharp,” including how Houdini was affected by Vernon’s “fooling.” But the most compelling part of the book is how it demonstrates how all-encompassing the pursuit of magic can be. We can’t recommend everyone follow Vernon’s exact path, especially in these dangerous days. But Vernon’s efforts show exactly what it takes to blaze a trail.

Card Wars returns: Play your way to high scores, discounts and more

June 25th, 2015 | Joe Hadsall | Filed Under Products

Throwing angsty avians wasn’t good enough. Smashing sugary sweets just didn’t satisfy. You didn’t want to jump doodles, cut ropes or run from temples anymore. And you had no patience for all those different war games.

You’re ready to throw the heck out of some cards.

After a steady stream of requests, you kept craving your fix of card throwing in Ellusionist’s Card Wars. The addictive game was part of last year’s Christmas promotion, where purchases got you 1UPs, and high scores led to prizes, discounts and more. And we’re happy to help you cure your itch with an updated app.

Needing an escape from creating some of the world’s most amazing magic, Team E has headed to the rooftops to blow off some steam. It’s your job to get them back to work, and the only weapon that gets them back to making magic is the new deck of Sleepers in your hand.

How are you going to tackle this? Will you burn through your deck, trying to tag as many as you can? Will you milk the clock, waiting for powerups? Will you hone your skill and save your shots for the high-value targets, such as the elusive Brad-ninja? It’s all up to you, now.

Download the app for iPhone and iPad here. Claim your high score and earn some discounts. This is Card Wars, and you are a fighter.

Deep into Sleepers: Artist Oban Jones talks about how he designs a deck of cards

May 22nd, 2015 | Joe Hadsall | Filed Under Artist Interviews

Art needs to be free. Without borders or bounds. No rules, no regulations. An artist should be free to create whatever they want, in whatever form they believe it should take.

So when it comes to interpreting other works of art, there’s probably nothing more limiting than decks of playing cards. It’s an object that — depending on the buyer — carries a myriad of design expectations, from the colors of suits to the number of eyes on court cards.

But for Oban Jones, those expectations aren’t limiting. They are inspiring.

“I may be wrong in this belief, but to my knowledge, there is no other artifact that is so complex in its design and so quintessentially unchanged for so much of its history,” said Jones, designer of the Sleepers deck. “You could look at a deck of cards from 500 years ago, and yes, there would be differences, but their purpose and essential design would be immediately recognizable.”

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Magician Zack Mirza combines travel, history, performance in new show

May 12th, 2015 | Joe Hadsall | Filed Under Artist Interviews

mirza

Magic has worldwide appeal, so it made perfect sense for Zack Mirza to hit the road. Choosing where to go was just as easy.

In “Illusions of Grandeur,” on Canada’s OLN, Zack makes his magic journey the center of the show. In travels to New York City, Detroit, New Orleans, Las Vegas and nine other cities with strong magic connections, he documents his quest to be the next big name.

“That was a competely new experience to me,” Mirza said. “I’d only been to New York and a few other US cities, so being in all of these new places was incredible.”

Because of a surprising abundance of other magic shows, Mirza said he and his crew knew that “Illusions of Grandeur” couldn’t be just another show. The trip at the center of the show was inspired partially by David Blaine’s “Real or Magic” and HBO’s “How to Make It in America.” It pairs the history and stories behind magic with the struggle to make a mark on the world, Mirza said, while showing an honest portrayal of Mirza’s career. Read more